By Stuart Burrows
Burrows argues for the centrality of images to a suite of writers in general considered adversarial to the camera-including Nathaniel Hawthorne, Henry James, William Faulkner, and Zora Neale Hurston. The photographic metaphors and allusions to the medium that seem all through those writers' paintings reveal the ways that one representational shape really impacts another—by altering how artists conceive of id, heritage, and paintings itself.
A time-honored Strangeness hence demanding situations the suggestion of an absolute holiday among nineteenth-century realism and twentieth-century modernism, a holiday that sometimes facilities accurately at the routine' supposedly differing relation to the digital camera. simply as modernist fiction interrupts and questions the hyperlink among visuality and information, so American realist fiction could be understood as making the realm much less knowable accurately via making it extra visible.
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A Familiar Strangeness: American Fiction and the Language of Photography, 1839-1945 by Stuart Burrows